When I was really into drawing spaceships last year, I took some time to paint with watercolor a bit. It’s challenging but a lot of fun. The resulting texture is interesting, and it’s fun mixing colors.
I definitely intend to do more with watercolor in the future.
I was in a creative rut in August 2018. My confidence was low after abandoning a project that didn’t work out. I kept doodling, but I didn’t have the burning passion I normally do. I was reading the sci-fi novel Ancillary Justice by Ann Leckie during a trip to visit family and absolutely loving it. So I started doodling spaceships in my sketchbook. It was like something unlocked, and I was back to my old creative self.
The doodling of those initial spaceships led me to try to draw 100 ships throughout the month of September. I ended up only drawing 50 because I then did Inktober in October. While I didn’t make it to 100 ships, it was still a success in my mind because it was fun and sparked creativity.
My art and thoughts from my second time participating in the month-long challenge
Hooray, I just finished the Inktober challenge this year. I drew a different illustration each day in ink based on the prompts provided by the challenge. I also made each illustration space themed since I’ve been working on a sci-fi comic.
I made this little comic called NINA over the last few weeks as a way to get back into drawing page-sized comics traditionally and experiment with some new tools. It’s inspired by Blade Runner and Tsutomu Nihei’s Blame!. It was drawn on 9″ x 12″ bristol with technical pens. I added tone in Clip Studio Paint. I hope you enjoy it.
A review of Andrei Tarkovsky’s restored 1979 slow sci-fi film Stalker.
Stalker is unlike any film I’ve ever seen. It’s what I think of as pure cinema. It’s a difficult film, but one worth watching.
The premise is that something fell to Earth and the area of impact became off limits to civilians. This area is known as the Zone. Only Stalkers can navigate the Zone. Inside of the Zone is a place called the Room, which grants a person their true desire. There is, naturally, a downside to this, but I’ll leave that to you to discover.
Bordering on sci-fi and surrealism, Stalker is a nearly 3-hour art film. It is referred to as a classic, but don’t think of it as a classic sci-fi film like Star Wars or 2001. Stalker is in a league of its own. It doesn’t deal with space, robots, or aliens. It deals with abstractions and humans, two things we are much more familiar with than what most sci-fi covers.