A review of Andrei Tarkovsky’s restored 1979 slow sci-fi film Stalker.
Stalker is unlike any film I’ve ever seen. It’s what I think of as pure cinema. It’s a difficult film, but one worth watching.
The premise is that something fell to Earth and the area of impact became off limits to civilians. This area is known as the Zone. Only Stalkers can navigate the Zone. Inside of the Zone is a place called the Room, which grants a person their true desire. There is, naturally, a downside to this, but I’ll leave that to you to discover.
Bordering on sci-fi and surrealism, Stalker is a nearly 3-hour art film. It is referred to as a classic, but don’t think of it as a classic sci-fi film like Star Wars or 2001. Stalker is in a league of its own. It doesn’t deal with space, robots, or aliens. It deals with abstractions and humans, two things we are much more familiar with than what most sci-fi covers.
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