I was in a creative rut in August 2018. My confidence was low after abandoning a project that didn’t work out. I kept doodling, but I didn’t have the burning passion I normally do. I was reading the sci-fi novel Ancillary Justice by Ann Leckie during a trip to visit family and absolutely loving it. So I started doodling spaceships in my sketchbook. It was like something unlocked, and I was back to my old creative self.
The doodling of those initial spaceships led me to try to draw 100 ships throughout the month of September. I ended up only drawing 50 because I then did Inktober in October. While I didn’t make it to 100 ships, it was still a success in my mind because it was fun and sparked creativity.
Why I decided to redo my hand lettering with a font
As I have been wrapping up Lost Ship, I began to worry about the legibility of the lettering in the comic. My lettering has improved over the last year, but some of it is a little rocky.
So I decided to re-letter the comic with a font. It’s incredibly important to me that people can read the comic. While the lettering lost a bit of character in the move to being a font, I believe it’s a worthwhile change because it’s much easier to read.
Trying a new step where I make a med-fi pencil mock-up after doing thumbnails
I’ve been working on a new 28-page comic called Lost Ship over the last two months, and it’s been enjoyable to work on a project that’s pretty small in scope. It’s about a small crew that explores space to try to discover new things.
My art and thoughts from my second time participating in the month-long challenge
Hooray, I just finished the Inktober challenge this year. I drew a different illustration each day in ink based on the prompts provided by the challenge. I also made each illustration space themed since I’ve been working on a sci-fi comic.
I made this little comic called NINA over the last few weeks as a way to get back into drawing page-sized comics traditionally and experiment with some new tools. It’s inspired by Blade Runner and Tsutomu Nihei’s Blame!. It was drawn on 9″ x 12″ bristol with technical pens. I added tone in Clip Studio Paint. I hope you enjoy it.
I was picking up a book I had on hold at the library and a manga on display caught my eye. Dementia 21. What a strange name. The bright yellow letters really stood out. I decided to check it out and give it a shot.
Wow, am I glad I did. It’s the best comic I’ve read this year.
How it’s been going and my aspirations for the next year, plus a collection of my art from the first year
I started making comics seriously a year ago in September 2017. It was an intentional change from exploring the world of filmmaking with the hopes of being able to tell visual stories entirely on my own. I can’t believe that a year has flown by. I’ve been enjoying the process of making comics and growing as an artist. It’s been slow going at times but ultimately rewarding.